5x01 - A Whole New World

[Prue Brianna Johnna Halliwell]

DESTINED

'A WHOLE NEW WORLD'

TEASER

OVER BLACK.

FADE IN:

EXT. PRESCOTT STREET - NIGHT

CONTINUATION FROM SEASON 4 FINALE.

Prue and Jo come walking fast down the street. Both women seem nervous, especially Prue.

JO

Mum, please, let’s stop and think it through.

Prue stops abruptly and looks at Jo.

PRUE

Think it through?

Jo looks at her mother not knowing what to say.

PRUE (CONT'D)

I just saw my husband with this woman ---

(swallows)

--- with another woman.

JO

Mum ---

PRUE

Don’t mum me.

JO

Sorry, but I spent years hoping to call you mum and I’m not ready to give up on that.

Jo approaches Prue and holds her hands.

JO (CONT'D)

We are together on this, okay? We’ll fix it. We just changed the future I grew up in and we’ll fix this.

Prue and Jo stare at each other’s eyes. Then Prue takes a deep breath.

PRUE

I’m sorry, honey. I love when you call me mum.

Prue touches Jo’s face softly.

PRUE (CONT'D)

I can’t even begin to explain what I felt when I heard it from you the first time.

Jo smiles.

JO

We can work this out.

Desperation fills Prue’s face again.

PRUE

But how? Who’s that woman and she said that I had a son and that I was ---

At that moment, Prue touches her belly as if she remembers something.

JO

Mum, what is it?

PRUE

The hormones.

Prue looks at Jo who seems confused.

PRUE (CONT'D)

Your sisters?

JO

Peri and Patience? Are you really sure you are pregnant?

Prue nods.

PRUE

I took a test and Blanche confirmed last night that the test I took was probably right. And that hasn’t changed.

(looks at Jo)

She said I was probably pregnant again and also booked me an appointment.

JO

And your first baby was a boy.

PRUE

A boy?!

Prue shakes her head.

PRUE (CONT'D)

That’s impossible. You are my firstborn.

JO

Mum, reality has changed somehow.

PRUE

But how are we not affected by that?

JO

Because we were time traveling.

PRUE

But we didn’t leave the place we were at.

JO

Because ---

Jo’s expression hardens.

JO (CONT'D)

You wished ---

Jo lowers her gaze as if she’s trying to believe what she’s saying. Then she looks straight at Prue.

JO (CONT'D)

Mum, what when through your mind when you tried to take me back to my time?

PRUE

Exactly that.

(pauses; swallows)

To take my 26 years old daughter back to her time.

Jo gets even more serious.

JO

That’s why we didn’t move in time.

(looking serious at Prue)

I don’t exist. If there’s not Prue and Wyatt ---

(swallows)

--- There’s not Jo Halliwell.

Both women look seriously at each other.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Alyssa Milano as Phoebe Halliwell

Marisol Nichols as Bianca

Matt Bomer as Damon

Jensen Ackles as Eric

Katie Cassidy as Melissa

Guest Starring

Laura Vandervoort as Jo

Matthew Daddario as Jared Lare

Alexandra Daddario as Jessica Lare

Eric Winter as Nate

Jennifer Morrison as Ella

Stephen Amell as Johnathan Hale

Nikolaj Coster Waldau as Omega

Ming-Na Wen as Sigma

Alex Mauriello as Aisling (Oracle)

Peter Facinelli as Sebastian

Robbie Kay as Alex

Dove Cameron as Michaela

Chris Wood as Ethan

John Barrowman as Christopher

Lulu Wilson as Ivana Prescott

Unknown actors as Bay Mirror and Mirror Magazine's workers

Unknown actor as Randall

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written and Edited by

Sol

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - NIGHT

AERIAL VIEW all over the town at the sound of ‘All The Wrong Things’ by Branan Murphy ft. Koryn Hawthorne.

CUT TO:

EXT. HALLIWELL MANOR - NIGHT

STOCK.

CUT TO:

INT. HALLIWELL MANOR - WYATT’S BEDROOM - NIGHT

The lights are off.

MUSIC FADES OFF.

ON THE BED - Wyatt is lying with his arms behind the back of his neck. Over his chest, Jessica is leaning. Wyatt's eyes are wide open and his breath is heavy. Jessica opens her eyes and looks up at him.

JESSICA

Wy, darling, you must get some sleep.

Wyatt puts his arms around Jessica.

WYATT

I know, darling. I just can’t stop thinking about Prue.

Jessica makes an annoyed face.

JESSICA

Prue? Really?

WYATT

She’s my cousin, Jess.

JESSICA

And I’m your wife. The one and only.

WYATT

I never said the opposite.

JESSICA

Yeah, but right now in bed, you are thinking about her and not me.

WYATT

Because she seemed weird, Jess.

JESSICA

Prue is weird. She has always been. Let her husband deal with her.

Wyatt gets into a sitting position.

WYATT

Shouldn’t we call Nate and check if she’s at home already?

Jessica gets into a sitting position annoyed.

JESSICA

I think we should better get to sleep, honey. Prue and her friend might have used beaming to get home. Unless the pregnancy had messed up with her powers like last time.

Jessica leans over him and kisses his neck softly.

JESSICA (CONT'D)

C’mon, honey. Let’s get back to sleep.

She keeps kissing his neck.

JESSICA (CONT'D)

Actually, sleep is not the thing I want to do right now.

WYATT

Jess, I need to wake up early.

JESSICA

In a good mood. And what is better than good sex to put you in a good mood?

Wyatt smiles. Then he kisses her in the mouth.

JESSICA (CONT'D)

That’s more I like it.

The kisses get more intense and Wyatt gets on Jessica kissing her.

ON JESSICA’S FACE - She enjoys the kisses as her mouth forms a wicked smirk.

CUT TO:

EXT. SAN FRANCISCO - STREET - NIGHT

Prue and Jo walk down the street. Both of them looking around.

JO

Everything else seems normal.

PRUE

Nothing is normal, Jo.

Prue stops and sits on a bench. Jo looks at her.

PRUE (CONT'D)

This is not normal. If you are not my daughter ---

Jo sits beside her.

JO

We’ll fix it, mum.

Prue looks at her.

PRUE

How suddenly you became optimistic?

Jo smiles.

JO

I’ve got my family back.

PRUE

For a short while. If we don’t fix this, you ---

JO

Let’s not think about that, okay. Let’s just focus on fixing it.

Prue nods.

SOUND - PHONE RINGING.

They look around.

JO (CONT'D)

It comes from you, I guess.

PRUE

My ringtone hasn’t changed.

Prue takes her smartphone from her back pants' pocket. She stares at the screen with a weird face.

JO

What?

Prue shows her the screen.

ON SMARTPHONE’S SCREEN - It reads:

‘LOVE’

Jo’s eyes wide open as she sees it.

JO (CONT'D)

Dad?

Prue shrugs.

PRUE

What do I do?

JO

Pick it up.

Prue picks it up reluctantly.

PRUE

Yes?

NATE (O.S.)

(on the phone)

Prue? I’ve been calling like crazy!

Prue looks at Jo with her eyes wide open.

NATE (O.S.) (CONT'D)

(on the phone)

Where are you? Why don’t you come home?

PRUE

Nate?

NATE (O.S.)

Our son needs his mummy. Please come home, Prue.

PRUE

Home?

Jo tries to hear what Nate is saying.

PRUE (CONT'D)

Our son? You an I ---

NATE (O.S.)

(on the phone)

I know that we fought badly, but please, come home, honey. Our son needs you and I need you too.

Prue and Jo look at each other with amazing glances. Prue grimaces at Jo. She doesn’t know what to say. Jo nods her to say yes.

PRUE

I’ll be right there ---

(pauses)

--- Nate.

And Prue hangs off the phone. She is astonished.

JO

Who’s Nate?

Prue looks at Jo, still amazed.

PRUE

Nate is, huh ---

JO

Mum!

Jo holds Prue’s hand.

PRUE

Right. Nate is a distant cousin and your father’s replacement.

JO

He’s what?

PRUE

Long story.

JO

Okay, where’s home?

PRUE

Bite me.

JO

Mum, you must have a guess.

Prue thinks for a while. Then something pops into her mind.

PRUE

(looks at Jo)

The condo!

JO

Chris and Bianca live there.

PRUE

Not if I never got married to your father.

Both of them look at each other.

CUT TO:

INT. UNDERWORLD - CAVE - NIGHT

Jared, with a big smile all over his face, paces the cave. He feels successful.

JARED

It is done!

Jared laughs out loud.

JARED (CONT'D)

Reality has changed to what I wanted it to be.

(serious)

Now, it’s up to you, little sister. Bring me the heir to the Power of Nine and I’ll have the whole Underworld on my feet.

OFF TO SOMEONE FADING IN BEHIND JARED - It is a woman. She is dressed in a black suit. An Avatar, SIGMA. She is serious.

SIGMA

Was this your plan?

Jared turns around abruptly. Obviously, he wasn’t waiting for this visit so soon.

JARED

Who are you?

SIGMA

The person who was sent to ask you to undo this, but you can call me Sigma.

JARED

Sigma, the Avatar.

SIGMA

That’s correct, Jared the demon who scape his fate.

Jared smirks.

JARED

Half-demon. I’ve learned a little tricks from the place I went to.

SIGMA

You meant the place you went to escape the late Source’s assassin and gained new powers who made you indestructible?

JARED

You are very smart, Sigma. But changing reality was something I was born with. Besides, she never became the Source.

SIGMA

I didn’t say otherwise. But you took advantage of the invitation we made to you to alter reality to your own purpose.

JARED

Is it wrong?

SIGMA

It was done before.

JARED

(smiles)

I know. But I didn’t make the same mistake. I didn’t change anything related to me.

(opens his arms)

I’m still an Avatar.

SIGMA

Who used the collective power to change reality.

JARED

Indeed. I would do it again. Tell me, what are you gonna do to me, Sigma?

Both Sigma and Jared stare at each other seriously.

JARED (CONT'D)

I know how to make the one potion which can put an end on an Avatar’s life. And my sister is the only one who knows where to find those I keep ---

(pauses)

--- Just in case.

Sigma swallows.

SIGMA

This is not going to end well, Jared. You’re messing with them. Even we never thought in abducing them to our side.

JARED

I’m smarter than that. I don’t want to lure them to your side.

SIGMA

Our.

(pauses)

As you said, you’re an Avatar now. That hasn’t changed. And Avatar’s only purpose is creating Utopia.

JARED

(smirks)

Well, what can I do if I was born to do more than that?!

(pauses)

What’s done is done, Sigma. I’m happy with the world I’ve created. You should too.

SIGMA

I’ll transmit your words to the others, but they are not going to like it.

JARED

Who cares?!

Both Sigma and Jared stare at each other for a few seconds, then Sigma FADES out. Jared stares at the place where she just was and smirks wickedly.

CUT TO:

EXT. PRUE’S CONDO - NIGHT

Some cars pass by. The lights in the condo are on.

CUT TO:

INT. PRUE’S CONDO - LIVING ROOM / KITCHEN - NIGHT

Nate Halliwell is on the phone with someone while pacing the room.

NATE

No, don’t you worry, Charlie, and please tell Aunt Phoebe and Uncle Coop that I’ve found Prue and she’s on her way home.

(pauses)

Sorry to bother you. Bye.

He hangs off the phone as a knock on the door is heard. Nate turns to the door and walks straight to it, opening it.

BEAT. Prue and Jo are there. Prue stares at Nate astonished.

NATE (CONT'D)

Prue!

Surprisingly for her, Nate runs towards her and kisses her in the mouth. She doesn’t know what to do but keeps her eyes open and her arms still. Jo’s eyes are wide open. Then Nate stops kissing her and looks at an amazed Prue.

NATE (CONT'D)

I was so worried.

PRUE

Nate?!

NATE

I’m so sorry. I shouldn’t have annoyed you knowing that your hormones are uncontrolled.

PRUE

My hormones?

Nate drags her inside the condo. Jo follows them and closes the door behind her.

NATE

But what happened to your key? Why did you knock?

Prue and Nate stare at each other. Nate waiting for an answer while Prue is so astonished.

JO

She lost her keys.

Nate turns to look at Jo for the first time. The girl shots him a look. Then he turns to Prue.

NATE

(to Prue)

What happened to beaming in?

PRUE

Do you know about beaming?

NATE

What kind of question is that? Of course, I know.

Jo and Prue exchange glances.

NATE (CONT'D)

I always knew. The journals remember?

Prue looks at Nate.

PRUE

Of course.

JO

I think she’s a little confused.

Nate looks at Jo again.

NATE

And you are?

Jo and Prue exchange glances. Jo doesn’t know what to say.

PRUE

A friend. Jo.

Nate glances from Jo to Prue and to Jo again.

PRUE (CONT'D)

I am so confused, Nate.

Nate looks at Prue again.

PRUE (CONT'D)

I lost my senses and Jo helped me. What a coincidence, we went to school together.

NATE

School?

Nate looks at Jo.

JO

Yes, Magic School.

Nate frowns.

JO (CONT'D)

Yeah, I’m a witch.

NATE

Okay. Thank you, ---

(pauses)

--- Jo?

Jo nods.

JO

Jo Wright.

Jo smiles trying to look normal. Nate turns to Prue. He approaches her while she steps back. Nate finds weird the way she acts but says nothing.

PRUE

I am so tired, Nate.

NATE

Of course, Love. The fight we had ---

PRUE

Yeah, the fight. Nate. I just need to sleep for a few hours to recover.

NATE

Sure.

He turns to Jo.

NATE (CONT'D)

Thank you, Miss, for your help.

PRUE

She’s staying.

Nate glances at Prue surprised.

PRUE (CONT'D)

I haven’t seen her in years, you know and she just arrived in San Francisco. I want her to stay.

NATE

Well, that’s okay with me. We have the guest’s room.

PRUE

NO.

Prue sounds a little bit rude.

PRUE (CONT'D)

Sorry, huh, Nate. I want her to stay with me if you don’t mind. 

Nate finds the whole thing a little weird.

PRUE (CONT'D)

You know, because I’m so confused right now and our fight.

(shrugs)

I just think we should not sleep in the same bed tonight.

Nate takes a deep breath.

NATE

Fine. I won’t push it. I’ll take the guest’s room. Just call me if you need help with Andrew.

PRUE

Andrew?

NATE

Our son!

PRUE

Of course. Our son.

Prue tries to disguise.

NATE

And don’t forget that tomorrow we have an appointment.

PRUE

An appointment for what?

NATE

The pregnancy, Prue. It’s the first appointment after you took that pregnancy test.

PRUE

(disguises)

Of course.

Nate approaches her and is about to kiss her in the mouth when she deviates her face and he ends up kissing her on the check.

NATE

Sleep tight.

Prue forces a smile.

JO

Night!

Nate walks out of there leaving the two women alone. Prue and Jo look at each other.

PRUE

Andrew?

JO

Don’t you like the name?

PRUE

My firstborn is named Prudence Christina Johanna.

JO

Yeah, I know, but in this reality apparently, I am a boy. Or maybe ---

(confused)

--- I am probably no one. Not even Andrew. We should get some sleep indeed.

Both Prue and Jo look at each other with a desperate look.

CUT TO:

EXT SAN FRANCISCO - NIGHT TO DAY

AERIAL FOOTAGE all over the town at the sound of ‘The Chain’ by Fleetwood Mac.

Several places all over the town are being shown as the moon disappears from the sky and the sun takes it rightfully place while shining bright.

CUT TO:

EXT. HALLIWELL MANOR - DAY

MUSIC KEEPS PLAYING IN THE BACKGROUND.

The newspapers’ boy passes by.

CUT TO:

EXT. HALLIWELL MANOR - PORCH - DAY

The door opens and Wyatt comes out holding a cup of coffee. He lowers down and takes the newspaper as he has a look at the front page. Then, he turns around and enters the house closing the door behind him.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

Jessica is setting the table for breakfast. She takes some toasts to the table.

JESSICA

(out loud)

Breakfast is ready!

She sits on one of the chairs by the table.

OFF TO WYATT AND CHRIS - They come in. Wyatt holding the newspaper and the cup of coffee.

CHRIS

Morning.

JESSICA

Morning, Chris. Where’s your wife?

Both Chris and Wyatt take a seat. Wyatt sits beside Jessica who leans over him and kisses his cheek. He smiles at her.

CHRIS

She’s coming down.

JESSICA

Are you two seeing any place to move to?

WYATT

(reprimanding)

Jess!

JESSICA

What? They are looking for a home to move to.

CHRIS

Jess is right. But we haven’t found anything yet.

WYATT

(to Chris)

There’s plenty of space here for the four of us.

CHRIS

I know, brother, but we want to have our own space.

WYATT

I know, but this is your home too. And Jessica and I can move out if you prefer. The other day ---

JESSICA

Stop right there, Wyatt. We’ve been through this and we all agreed that the eldest stays in the manor.

CHRIS

Jess is right. Besides, Melinda is now at Damon’s and I and Ella want to find our own place.

Wyatt and Chris stare at each other for seconds, then Wyatt gives in.

WYATT

Fine. But it’s not urgent.

CHRIS

Fine.

Wyatt shoots Jessica a look and then she softens her expression. Then she turns to Chris.

JESSICA

You and Ella can stay as long as you wish. After all, this is your family home.

CHRIS

(smiles)

Thank you, Jess.

OFF TO ELLA - She comes into the kitchen.

ELLA

Good morning, family!

She walks straight to Chris and ---

BEAT. She kisses him passionately in the mouth. He corresponds. Wyatt and Chris stare at them.

JESSICA

Get a room.

Ella and Chris stop the kissing and look at them.

ELLA

Sorry, guys.

Ella takes a seat beside Chris and pours some coffee into a cup.

WYATT

Well, we better be going, right, Chris?

Wyatt looks at Chris who nods.

CHRIS

An important meeting with the new boss.

ELLA

Boss? I thought he was just an associate?

WYATT

He is. Our major associate. Bay Mirror and its associates are part of Prescott Group now even when Aunt Phoebe own most of Bay Mirror.

JESSICA

Good luck with that.

Wyatt looks at Jessica.

WYATT

What are your plans for today?

JESSICA

Oh, I don’t know. I’ll do some shopping maybe.

ELLA

You can help at the shop, you know, Jess.

Ella shoots her a look which Jessica notices and forces a smile at it.

JESSICA

I think an esoteric shop is not my thing, Ella, but thanks for offering.

ELLA

You could ask Prue. I heard that she looking for a manager.

Jessica forces a smile again.

WYATT

That’s true.

(looks at Jessica)

You worked as a bartender at college. That’s how we met.

Jessica looks at Wyatt and smiles.

JESSICA

I’m glad you remember that.

(pauses; has a sip of coffee)

But I don’t know. Prue never was fond of me.

CHRIS

You can try.

JESSICA

I’ll think about it.

Wyatt gets up followed by Chris.

WYATT

Well, anyway, see you, girls, later.

Wyatt kisses Jessica’s forehead fondly.

ELLA

Are you orbing or driving?

CHRIS

Orbing is faster and we are late.

ELLA

Not that late that you can’t give a ride to your wife.

Ella stands and grabs Chris left arm straight away. Wyatt and Chris exchange glances.

WYATT

See you at the office.

Chris nods. Wyatt ORBS out followed by Chris who ORBS out as well taking Ella with him. Jessica is left alone. She gets thoughtful.

JESSICA

(smirks)

So far so good, bro.

(gets serious)

But I didn’t like Prue’s visit last night.

(stands)

I must know what’s going on.

And Jessica SHIMMERS out.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

INT. PRUE’S CONDO - MAIN BEDROOM - DAY

ON A BABY BOY CRYING OUT LOUD INSIDE HIS CRIB - Baby Andrew cries hard. The little boy, who seems a few months old, is hungry.

Next to his crib is Prue, still, staring at him with a serious face.

ON THE BED - Jo wakes up and spots her mother next to the crib.

JO

Mum?

Prue turns around and looks at Jo.

JO (CONT'D)

What’s wrong with him?

PRUE

He is not my son.

JO

But he is crying.

OFF TO THE DOOR - Nate comes in a rush holding a baby bottle filled with milk.

NATE

Sorry, girls.

He goes straight to the crib and hands Prue the bottle. She stares at it for a while. Nate shoots her a look to hold it.

NATE (CONT'D)

I take it you still remember how to feed our son.

Prue stares serious at Nate and then takes the bottle as Jo watches them. Nate takes baby Andrew out of the crib.

NATE (CONT'D)

Now, now, Andrew, mummy is here and she’ll feed you.

Prue stares astonished at them. The baby starts calming down. Nate looks at Prue and tries to hand her the baby, but she is like frozen.

NATE (CONT'D)

Prue?

Inside of Prue, some panic is forming.

PRUE

I can’t. Sorry.

Prue hands Nate the bottle and runs towards the bathroom. Nate is astonished and he looks at Jo.

NATE

What the hell is wrong with her?

JO

(disguising)

Maybe the hormones.

Jo gets off the bed. She is wearing some pajama.

JO (CONT'D)

I’ll talk to her.

Jo heads inside the bathroom. Nate tries to calm down the baby and starts feeding him with the milk.

NATE

Now, now, Andrew, I guess your mummy is going through something she doesn’t want to share with daddy. But don’t worry, she’ll be okay.

(smiles)

She’s Prue Halliwell after all.

ON THE BABY - He sucks on the bottle. He is very hungry.

CUT TO:

INT. PRUE’S CONDO - MAIN BATHROOM - DAY

Prue is staring herself in the mirror, breathing fast. Behind her is Jo.

JO

Mum, you need to calm down.

Prue breaths as fast as if all the air in the world has disappeared and she’s trying to get it back to her lungs.

PRUE

How can I calm down, Jo? That’s not Tina.

JO

You mean, that’s not me.

Prue turns around and looks at Jo.

PRUE

Yeah. He is not even blonde.

JO

I thought you hated that I was blonde.

PRUE

At first, I did, but then ---

Prue covers her face with her hands then she looks up and tries to take a deep breath. Then, she looks at Jo.

PRUE (CONT'D)

I saw you. Back there when Ruby tried to turn me evil, I saw you as a little girl. You were so beautiful.

(swallows)

You are. And that’s ---

Some tears come out of her eyes.

PRUE (CONT'D)

--- Not you. That’s not my baby.

Jo approaches her and squeezes Prue’s arms.

JO

I know, mum, but we are going to fix this just like we did last time and everything will go back to normal, okay? I don’t need you to fall apart right now. I just need the same old and arrogant Prue Halliwell to help me.

Prue stares at Jo for seconds.

PRUE

I’m not arrogant.

JO

(shrugs)

Sometimes you are, yes.

PRUE

Jo!

JO

What? It’s not because we are getting along that I’m gonna lie to you.

PRUE

Let me remind you that you did that pretty well for months.

JO

Not that well. You were suspicious of me.

PRUE

True.

Jo wipes Prue’s tears.

JO

Not to take the reason out of you, but my future is the one who is screwed the most. Now we must talk to someone who might believe us and help us to get out of this mess.

They both look at each other for seconds.

PRUE

Chris.

JO

I was thinking the same.

Jo smiles, trying to give some support to her mother, but deep down is notorious that she is scared as well. Prue ends up forcing a smile.

CUT TO:

EXT. SAN FRANCISCO - DAY

AERIAL VIEW in fast motion all over the town.

CUT TO:

EXT. DAMON’S APARTMENT - KITCHEN - DAY

Melinda is setting the table for breakfast. She is still wearing a nightdress.

OFF TO DAMON - He comes in already wearing a suit. He is ready for work.

Damon stares at Melinda for a while as she is so focused setting the table. She seems happy.

ON DAMON - He smiles big.

DAMON

The best view I could ever ask for.

Melinda turns and smiles as her eyes meet his. She walks fast towards him and both kiss each other passionately.

DAMON (CONT'D)

Slept well?

MELINDA

It was perfect.

DAMON

That bed has always been your rightful place.

Melinda smiles big.

MELINDA

I know. I am so happy we are together again.

(she gets serious)

Liam has been a bad memory for me and it seems so far away thank God.

DAMON

Well, Liam is water under the bridge. That Warlock is vanquished thanks to your family.

MELINDA

(grimaces)

Yeah, but he was my first husband.

DAMON

Don’t remind me of that. As you said, he is past, so when you decide to accept my proposal, I will be your one and only husband.

Melinda smiles.

MELINDA

Take it slowly, Mr. Morgan. We agreed that we would give baby steps.

DAMON

You are living with me now, honey, this is not baby steps.

MELINDA

Fine. Now, please ---

She opens her arms to show him the table with a very rich and nutritive breakfast.

MELINDA (CONT'D)

--- Take a seat and have breakfast. I have a restaurant to open and you have to work too.

DAMON

I wouldn’t mind skipping work today.

He shoots her a roguish expression. Melinda bites her lower lip.

MELINDA

Don’t tempt me.

DAMON

I’m trying to tempt you.

She thinks for seconds and then jumps into his arms. Both kiss each other very passionately as Damon carries Melinda out of the kitchen.

CUT TO:

EXT. PRESCOTT GROUP - DAY

People are heading in and out of the building.

ON CASSANDRA - She seems in a rush, holding some folders, as she crosses the street and doesn’t realize a car is about to hit her.

The car stops just before hitting her. The folders she’s holding fall scattered on the floor. She looks at it and makes a mad expression.

CASSANDRA

Exactly what I needed today!

Cassandra seems annoyed.

ON THE CAR - The right-back door opens and a good-looking man comes from it. He is wearing dark sunglasses and a dark grey suit. He is a businessman (JOHNATHAN HALE, 35).

He walks over to Cassandra who has already lower down to get all the folders scattered on the floor.

JOHNATHAN

Are you okay, Miss?

CASSANDRA

Okay? Okay?!

She takes the last folder from the ground and stands. She looks at the man. Madness is written all over her face.

CASSANDRA (CONT'D)

(mad)

The light was on for me and you almost hit me.

JOHNATHAN

I’m sorry. My driver was distracted. I’m late for a very important meeting.

CASSANDRA

It’s not my business what you’re going to do. 

She looks at the car; a very expensive car. Then she turns to Johnathan.

CASSANDRA (CONT'D)

You must tell your driver to be careful next time.

And just like that Cassandra rushes pass Johnathan and gets up the stairs that lead her into Prescott Group as Johnathan takes his glasses off and stares as she does. He seems amazed at her reaction.

SOUND - HORNS.

They bring back Johnathan from whatever thoughts he was in. He looks around and then walks towards the car and gets into it. Then, the car is driven away.

CUT TO:

EXT. BAY MIRROR - DAY

People going in and out of the building.

CUT TO:

INT. BAY MIRROR - REDACTION ROOM - DAY

People are there at their desks working on their computers.

ON THE DOORS - They open and Prue, followed by Jo, comes in. They look around.

Jo leans over Prue and whispers something to them.

JO

So far so good. Things look normal.

PRUE

They said upstairs that Chris would be here for a meeting.

They look around again and Jo spots him.

ON CHRIS - Coming from the meeting room and heading straight to them.

JO

There he comes.

Chris reaches them.

CHRIS

(surprised)

Prue! What brings you here?

Prue smiles at him. Chris glances from Prue to Jo and stops as he sees Jo.

CHRIS (CONT'D)

Hello?

JO

(smiles big)

Hi, Un ---

Jo cuts herself off immediately.

JO (CONT'D)

(disguises)

I mean, Chris.

CHRIS

Do I know you?

JO

I think you do, but you don’t remember me.

PRUE

Chris, we must talk. It’s important.

CHRIS

Something wrong with the baby?

Prue shakes her head.

PRUE

Babies. It’s babies.

Chris seems surprised.

CHRIS

I know you have a very accurate sixth sense, but it’s too soon to think about twins, Prue.

PRUE

I’m not thinking. I’ve seen it.

JO

(nudges Prue)

Prue!

Prue glances at Jo and then looks back at Chris.

PRUE

I kinda need your help.

She approaches Chris and speaks in a low voice.

PRUE (CONT'D)

Magical help.

Chris seems surprised.

CHRIS

(low voice)

Demon?

Prue shrugs.

PRUE

We can’t explain here, but this is all wrong.

CHRIS

What’s wrong, Prue?

PRUE

This.

Prue waves her hands, but Chris understands nothing.

OFF TO MELISSA - She comes from the meeting room.

MELISSA

Chris, the man is coming up.

Chris turns around and looks at Melissa.

CHRIS

I’ll be right in. Just a second.

Melissa looks at Prue.

MELISSA

Hi, Prue.

Melissa sounds a little unfriendly towards Prue which Prue finds weird. She nods to Melissa. Then Melissa heads into the meeting room. Chris turns to Prue and Jo.

PRUE

Look, Chris, this is important.

JO

Like life depending important.

Chris glances from one to the other.

CHRIS

Look, I understand, but we are about to have a meeting with the responsible for Prescott Group, the new CEO, a big shareholder of Bay Mirror.

PRUE

Is Wyatt here?

CHRIS

(surprised)

Of course, he is. He is the editor chief of Mirror’s Magazine.

PRUE

And mum?

CHRIS

What kind of question is that, Prue?

(pauses)

She’s the boss to us all.

Prue and Jo exchange glances. Then Prue turns to Chris.

PRUE

Who is this person, Chris?

CHRIS

That one.

Chris points to the doors.

ON THE DOORS - They open, but this time Johnathan comes in with a superiority glance.
Everybody turns around to look at him, including Prue and Jo.

JO

Who’s that?

Chris walks past them and approaches Johnathan.

CHRIS

Mr. Hale.

Johnathan looks at Chris.

CHRIS (CONT'D)

Welcome to Bay Mirror. We were waiting for you.

Johnathan nods. Chris signs him where to head. Johnathan walks straight to the meeting room. Chris approaches Prue and Jo.

CHRIS (CONT'D)

Can we talk later?

JO

Is that the person in charge of Prescott Group?

CHRIS

Yeah, he was named by Ivana’s Prescott’s tutor.

PRUE

Might I ask who is her tutor?

Chris smiles sarcastically as if he thinks Prue is joking by asking him that. He shoots Prue a look. Prue is serious. The smile fades from Chris’ face.

CHRIS

You must be kidding me, right?

Prue remains serious.

PRUE

Althea Prescott? Maybe?

CHRIS

Yeah, you helped in finding the adopted sister of Julian Prescott.

PRUE

Yeah, I did.

CHRIS

The hormones are really getting to you.

JO

Her memory sometimes ---

Chris looks at Jo.

JO (CONT'D)

Pregnant woman.

Prue shoots Jo a look.

CHRIS

(to Jo)

Okay, I still want to know your name. You look familiar to me.

(looks at Prue)

Anyway, Prue. We’ll meet later and talk about whatever you want to talk. Okay?

Prue nods yes.

CHRIS (CONT'D)

Now, if you excuse me, this is an important meeting.

Prue nods yes again. Then, Chris turns around and heads into the meeting room.

JO

Yeah, I seem familiar to him.

Prue looks at Jo who looks her back.

JO (CONT'D)

I have Mel’s eyes.

PRUE

At least one thing remains the same.

(pauses)

The Oracle is Ivana’s aunt.

Jo nods.

JO

We better leave, Prue. Let’s find out what else has changed and then we talk to Chris. I’m sure he’ll believe us.

Prue nods. Both of them leave the place.

OFF TO A CORNER - Jessica hides there. She was peeking at Prue all the time.

JESSICA

(to herself)

She remembers! How?!

Then, Jessica SHIMMERS out.

CUT TO:

INT. BAY MIRROR - MEETING ROOM - DAY

Around the oval table are sitting Wyatt, Chris, Melissa, Phoebe among other people that are responsible for some departments in Bay Mirror and Mirror Magazine.

At the top of the table, Johnathan is sitting looking at them all. Phoebe is beside him.

JOHNATHAN

(to Phoebe)

I understand that you are not only Editor-Chief of Bay Mirror, but the person in charge of Bay Mirror and its dependencies.

Phoebe nods.

PHOEBE

Exactly, Mr. Hale. Mr. Dean gave me that position when he was the owner.

JOHNATHAN

And you shall keep it. I’ve heard that there has been done a great job here. Bay Mirror is a success. One of the most sold newspaper in town. And that’s why Mrs. Prescott wants you to keep full control of it. But most parts of their corporate actions belong to Prescott Group and we’ll like to be an active participant in what happens here.

PHOEBE

That’s correct. I can’t thank Mrs. Prescott enough and we are glad that Prescott Group is our major associate. It would be an asset for us.

(pauses)

I guess the numbers for Mirror’s Magazine have been sent to you too.

JOHNATHAN

That’s correct. Important job has been done revealing some putrid things in town.

PHOEBE

Let me introduce you to my nephew, ---

Phoebe looks at Wyatt.

PHOEBE (CONT'D)

Wyatt Halliwell.

(turns to Johnathan)

He is the Editor-Chief of Mirror’s Magazine.

Johnathan looks at Wyatt.

JOHNATHAN

(to Wyatt)

Great job.

WYATT

Thank you, Mr. Hale. It’s been a team job. My brother is the one responsible to the Photography department and Melissa Cooper is responsible for the redaction room.

Johnathan glances at Chris and Melissa and his eyes stop at Melissa. Johnathan smiles. Melissa smiles and lowers her gaze.

JOHNATHAN

Almost like a family business.

PHOEBE

They’ve got their positions because the deserved it.

JOHNATHAN

(looks at Phoebe)

I’m not saying otherwise, Mrs. Halliwell. I’m not here to change what has been done. This team works perfectly.

Johnathan stands and looks at them all.

JOHNATHAN (CONT'D)

I just came for you to know me and to know that I only want this to be better than it has been.

WYATT

Mr. Hale, what about the weekly journal which is distributed in the public transportation points?

JOHNATHAN

That doesn’t give us money.

MELISSA

But it keeps people informed of what’s going on in town.

CHRIS

That’s true. If they want to know more, they buy Bay Mirror or Mirror’s Magazine.

JOHNATHAN

True. But we at least should give it a cost. People must pay for the two pages or whatever that journal has.

PHOEBE

But that won’t change the weekly journal’s purpose?

Johnathan smirks and looks at Phoebe.

JOHNATHAN

I am here to make money, Mrs. Halliwell. Once Miss Prescott reaches her age, I don’t want her to ask me why we give things instead of selling them.

WYATT

Shouldn’t you ask her tutor first?

Johnathan smirks again.

JOHNATHAN

I am doing what I am paid for, Mr. Halliwell.

They all exchange glances.

JOHNATHAN (CONT'D)

A minimum price to start with. Then we’ll see how it goes.

Phoebe stands.

PHOEBE

If those are your orders, Mr. Hale.

JOHNATHAN

Those are my orders. And I want weekly reports. I’ll be taking care of Prescott Group most of the time, but I won’t neglect the rest. Now if you’d excuse me, ---

(pauses)

--- Prescott Group is the biggest company in town and I have some other meetings to attend to.

They all stand as Johnathan just turns around and leaves the room without even saying goodbye to them. They all exchange glances.

CHRIS

What a friendly guy, our new boss is.

PHOEBE

That’s what I’ve got. I never agreed that Jason gave Bay Mirror so willingly to Prescott Group.

WYATT

Well, he did.

PHOEBE

I’m gonna seat at my office and think about how much we can charge for the weekly journal.

Phoebe turns to a middle-aged man standing in front of her.

PHOEBE (CONT'D)

Randall, let’s get hands on it?

RANDALL

Of course, boss.

Randall and Phoebe walk out of the room. The others, but Wyatt, Chris, and Melissa, leave as well.

CHRIS

Should we get back to work as well?!

WYATT

I guess that’s the best we can do.

Melissa grabs Chris arm. Chris looks at her.

MELISSA

What was crazy Prue doing here anyway, Chris?

Chris is about to answer when Wyatt turns to them.

WYATT

(curious)

Prue was here?

Chris looks at his brother and nods.

CHRIS

Yeah, and she was very weird. I told her I’d meet her later, but now ---

WYATT

You should. Maybe is important. She was at home last night.

CHRIS

Doing what?

Wyatt shrugs.

WYATT

I didn’t understand, but she didn’t seem well.

MELISSA

And Jessica? Prue doesn’t like her so how did Jessica react?

WYATT

Jessica has nothing against Prue and has always been friendly towards her.

MELISSA

Something Prue never did. Being friendly to your wife.

WYATT

Melissa!

MELISSA

Sorry, Wy, but you know that Prue and I also don’t like each other.

CHRIS

Let’s stop. I’ll talk to Prue later. Let’s focus on work now.

They all agree and leave the room.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADES IN:

INT. UNDERWORLD - JARED’S CAVE - DAY

This cave has a big rock water pit in the center and some rocks pillars around the cave.

ON JESSICA - She SHIMMERS in and looks around.

JESSICA

Jared?

OFF TO JARED - He comes from behind one of the pillars and smiles at her sister. He is wearing all black.

JARED

Happy with the life I gave you, little sis?

Jessica turns to Jared. She is serious and Jared notices it.

JARED (CONT'D)

What’s wrong?

JESSICA

She remembers.

Jared shoots her look.

JESSICA (CONT'D)

Prue. That bitch that always wanted what was mine, remembers.

JARED

Wyatt hasn’t always been yours.

JESSICA

You know what I mean, brother. If she remembers, somehow, she’ll find a way to make everybody remember the true reality.

JARED

That won’t happen.

JESSICA

What should I do? How do I keep her away from Wyatt?

JARED

(takes a deep breath)

You know, Jess, you should not worry about her. The spell I cast is very powerful. Everyone remembers what I planted in their memories. They don’t remember their old life.

JESSICA

Then why she remembers?

JARED

I don’t know. But don’t worry about that.

Jared walks towards his sister.

JARED (CONT'D)

You just must keep focused on your own plans.

JESSICA

I plan to keep Wyatt deeply in love with me.

JARED

And to have an heir.

JESSICA

(serious)

You could have given me the heir I needed.

JARED

I cannot create life, sis.

JESSICA

You gave Prue a son when she had a girl.

JARED

She had a child with Wyatt. Not being married to Wyatt gave her a child as well, with different gender, but a child.

Jared touches his sister's face softly.

JARED (CONT'D)

Now, make Wyatt give you an heir and we’ll have all their powers through that child.

JESSICA

That’s all I want. To have my husband’s son and heir.

Jared takes his hand from her face and smiles.

JARED

Good, sis. Now, get back to your life and don’t confuse your old memories with your new ones. I made you remember because I wanted you to focus on our plans.

JESSICA

(smirks)

I will. I’ll return to my husband like the new witch I now am.

JARED

A witch without a shimmering power. Don’t forget, no one can ever see you using that power.

JESSICA

Don’t worry. No one would. I’m just a witch at their eyes.

Jared and Jessica smile. Then Jessica SHIMMERS out. Jared is serious.

JARED

Everything will work out as we want, sis. Once we have the Twice Blessed hair in our hands, the Underworld would kneel before his new leader and not even the old Power of Three and the Twice Blessed Power that was never activated will be able to stop us.

ON JARED - He smiles wickedly.

CUT TO:

EXT. SAN FRANCISCO MEMORIAL HOSPITAL - DAY

Some ambulances are parked outside, but everything seems like a normal day there.

CUT TO:

INT. SAN FRANCISCO MEMORIAL HOSPITAL - PEDIATRIC WING - DAY

Nate, on the phone, walks from a side to another. He seems truly worried. It seems like he is trying to reach someone through the phone unsuccessfully.

NATE

(to himself)

C’mon, Prue! What the hell?!

He is unable to reach her. And makes a mad expression.

OFF TO DOUBLE DOORS - They open and Eric comes in walking quickly.

Eric spots Nate and approaches him.

ERIC

Nate?

Nate turns around and looks at Eric.

ERIC (CONT'D)

Have you been able to contact Prue?

Nate shakes his head.

NATE

She has her phone off. I don’t know what else to do, Eric?

Eric seems worried as well.

NATE (CONT'D)

She’s been so weird since she came home last night.

ERIC

How weird?

NATE

I don’t know. We fought in the morning and she disappeared all day. When she came home, she was with this woman I never saw in my life and with a weird attitude. Especially towards Andrew.

ERIC

Why would she have a weird attitude towards her own son?

NATE

I don’t know.

(takes a deep breath)

We wanted that baby so bad and now that she’s pregnant again ---

ERIC

Yeah, you know, maybe is that. The hormones.

Nate shakes his head.

NATE

No, I feel like there’s something wrong. I just don’t know what.

(pauses)

How can she do this to me, Eric? To us?

ERIC

It’s just an appointment, Nate. I’m sure she has a reasonable explanation for that.

NATE

Yeah, she’ll have a lot to explain. Leaving home without even saying where she was going and now missing our first ultrasound.

Eric pats Nate’s shoulder.

NATE (CONT'D)

I think we should better change the appointment. I must get Andrew and go home.

ERIC

Charlie can stay with the baby for a little longer. Just go home. I’ll talk to the doctor and change the appointment. Don’t worry about that.

Nate nods.

NATE

Thank you, buddy.

Eric smiles at him. Nate turns around and leaves through the double doors as Eric watches him leave. Eric seems worried.

CUT TO:

EXT. WHITMORE MANOR - DAY

STOCK.

CUT TO:

INT. WHITMORE MANOR - LIVING ROOM - DAY

Tamora is on the phone.

TAMORA

(on the phone)

Are you sure? 

(pauses)

That’s weird. Why would she do that?

(pauses)

Yeah, don’t worry, Char, if I see her, I’ll let you know. But maybe we can try sensing her?

(pauses)

No, you are right. She’ll hate it. Okay, bye.

OFF TO THE ENTRANCE - Sebastian comes in wearing a blue suit.

Tamora hangs off the phone and stands. She glances at Sebastian with a worried look.

SEBASTIAN

Something wrong?

TAMORA

Will you be mad at me if I ask you to change our engagement party for another day?

SEBASTIAN

Why?

TAMORA

It seems like Prue is nowhere to be found. She missed her appointment this morning.

SEBASTIAN

Have you guys checked P3? You know she loses herself into work sometimes.

TAMORA

Yeah, Charlie called there. No one answered.

SEBASTIAN

Well, honey, ---

Sebastian walks towards Tamora and kisses her softly.

SEBASTIAN (CONT'D)

I think we can wait a few more days for our engagement party. There’s no rush.

Tamora smiles.

TAMORA

Thank you, Sebs.

SEBASTIAN

Don’t thank me. If there’s some magical thing behind this, we better make sure everything is under control. Let’s not forget that your sister’s boyfriend knows nothing about magic.

TAMORA

There’s a point there.

Sebastian smiles.

SEBASTIAN

I’ll check with the Elders first and then I’ll head to the company.

Tamora nods.

SEBASTIAN (CONT'D)

I’ll call you if I find something.

TAMORA

(smiles)

You are an angel.

Sebastian smiles, then he kisses her again and ORBS out as he keeps kissing her. Tamora grimaces.

TAMORA (CONT'D)

I hate it when he orbs out that way.

Tamora walks out of the living room.

CUT TO:

EXT. SAN FRANCISCO - DAY

FOOTAGE all over the town in fast motion.

CUT TO:

EXT. PRESCOTT MANOR - PORCH - DAY

Prue and Jo walk upstairs towards the front door. They stop as they reach it.

JO

Mum, are you sure we should talk to her?

Prue looks at Jo.

PRUE

If anyone knows what’s going on that’s Althea.

JO

You mean the Oracle.

PRUE

Yeah, the Oracle.

Prue takes a deep breath and then rings the bell. They wait.

JO

What if she doesn’t remember us?

PRUE

She has to.

No too long they wait, when the door opens. AISLING / ALTHEA is there. She looks at them.

ALTHEA / AISLING

Prue?!

(smiles)

What a surprise.

Prue smiles.

PRUE

Yeah, you remember me.

ALTHEA / AISLING

Why wouldn’t I remember you? You helped me to have a life.

PRUE

Yeah, because you helped me also.

Althea / Aisling smiles as if it was nothing.

ALTHEA / AISLING

I just help you to find a demon you wanted to vanquished. Nothing else.

Prue and Jo exchange glances. Althea / Aisling looks at Jo.

ALTHEA / AISLING

(to Prue)

Who’s your friend?

Prue and Jo look at Althea / Aisling.

JO

You don’t remember me?

Althea / Aisling looks at Jo for a while. Her eyes turn white and soon they turn to normal again. Then she shakes her head and grimaces.

ALTHEA / AISLING

I’m sorry, I don’t.

(looks at Prue)

Also, I can’t see anything about her.

JO

What? You’re serious?

Althea / Aisling looks at Jo and nods.

PRUE

Oracle?

Althea / Aisling looks at Prue.

PRUE (CONT'D)

You said you helped me find a demon?

Althea / Aisling nods.

PRUE (CONT'D)

What demon?

Althea / Aisling finds the question weird.

ALTHEA / AISLING

What kind of question is that, Prue?

(pauses)

It was just a demon who was creating chaos all around the Underworld.

PRUE

Not the Red Witch?

Althea / Aisling grimaces.

ALTHEA / AISLING

How do you know about the Red Witch?

Prue and Jo look at each other.

PRUE

She doesn’t remember either.

Prue seems even more worried.

ALTHEA / AISLING

Remember what? Prue, the Red Witch is a myth. Don’t go that path, okay?

PRUE

I won’t because we already did. She was put back in her tower.

ALTHEA / AISLING

What?

Prue walks towards the Oracle.

PRUE

Take my hands.

Althea / Aisling doesn’t understand. Prue reaches out her hands.

PRUE (CONT'D)

You can see my memories.

The Oracle thinks for a while and then holds Prue’s hands. Both of their eyes turn into white for a while. Then, they turn to normal. Then the Oracle releases Prue’s hands and steps back.

ALTHEA / AISLING

So confusing.

PRUE

No, there’s no confusion. This is all a mess, Aisling.

ALTHEA / AISLING

Don’t say my name.

PRUE

I’m sorry.

ALTHEA / AISLING

Prue ---

The Oracle puts a hand over Prue’s shoulder.

ALTHEA / AISLING (CONT'D)

--- Someone is messing with your head.

PRUE

No, someone is messing with all of your heads.

ALTHEA / AISLING

I would know if that was true.

Jo grabs Prue’s arm.

JO

Let’s go, mum. We shall find another way.

ALTHEA / AISLING

Mum?

She looks from Prue to Jo and back to Prue.

JO

I meant Prue. She reminds me of my mother.

ALTHEA / AISLING

Oh, dear.

(serious; looking at Jo)

You shouldn’t even exist. How can she remind you of someone you never had?

Jo and Althea / Aisling look seriously at each other. Then Jo turns to Prue.

JO

Let’s go.

Prue nods and both turn around and leave as the Oracle watches them.

ALTHEA / AISLING

Prue?

Prue and Jo turn around.

ALTHEA / AISLING (CONT'D)

Think of your sons.

PRUE

Sons?

ALTHEA / AISLING

The one you have and the ones that are to come.

The Oracle points at Prue’s belly. Prue puts her hand in her belly.

PRUE

I’ll have daughters, Oracle. The next Charmed Ones after me and my cousins.

And just like that, Prue and Jo turn around and walk away as the Oracle keeps her eyes on them.

ALTHEA / AISLING

What are talking about?! The Power of Three lies within Piper, Phoebe, and Paige. No one else.

ON THE ORACLE - She is serious.

CUT TO:

EXT. SAN FRANCISCO UNIVERSITY - CAMPUS - DAY

ON ALEX - He comes from the building holding some briefcase.

SOUND - Smartphone ringing.

Alex stops and takes his smartphone out of his pocket. He picks it up.

ALEX

(on the phone)

Hey, mum?

(pauses)

No, I need to get to Magic School now. It seems like Charlie has her hands in other things and I need to cover for her.

(smiles)

Don’t worry, mum. I’ll be home for dinner.

(pauses)

Love you too.

Alex hangs off the phone. He puts the phone back on his pocket when someone approaches him from behind.

MICHAELA (O.S.)

Alex?

Alex turns around and looks at her.

Michaela seems different. Her clothes seem old torn. The girl seems like she has gone throw rough times.

Alex looks her up and down.

MICHAELA (CONT'D)

I need your help.

ALEX

Do I know you?

MICHAELA

I don’t know. I woke up, there is this confusion in my head.

Michaela approaches her.

MICHAELA (CONT'D)

I think I know you. But I can’t remember how.

ALEX

What’s your name?

MICHAELA

Michaela. Michaela Gilbert.

ALEX

I’m sorry, Michaela Gilbert, but I don’t know you.

Alex turns around to leave.

MICHAELA

I’m a Firestarter.

BEAT. That calls Alex’s attention. He turns around.

ALEX

What?

MICHAELA

I don’t know how I know. I just do.

Both Alex and Michaela look at each other seriously.

CUT TO:

EXT. BAY MIRROR - DAY

People going in and out of the building.

CUT TO:

INT. BAY MIRROR - MIRROR’S MAGAZINE - WYATT’S OFFICE - DAY

ON A PHOTOGRAPH - It shows Jessica smiling.

Wyatt is staring seriously at Jessica’s photo on his desk. He seems thoughtful as if something is worrying him.

SOUND - A knock on the door.

It seems like it takes Wyatt out of his own thoughts. He looks at the door.

WYATT

Come in!

The door opens and Chris comes in.

WYATT (CONT'D)

Chris!

CHRIS

I know you might don’t care, but Prue is missing.

Wyatt stands.

WYATT

What?

CHRIS

Yeah, I’m gonna try to find her.

WYATT

Sure. But how is she missing? Is a demon behind this?

Chris shrugs.

CHRIS

No idea. Nate called saying that she didn’t show up for her appointment. She was weird earlier.

WYATT

She was weird last night too.

CHRIS

Anyway, I let you know if I find her.

WYATT

Please do that.

Chris turns to leave but stops and turns back to Wyatt.

CHRIS

By the way, don’t let Aunt Phoebe know.

Wyatt nods yes.

WYATT

Of course.

Chris turns around and leaves. Wyatt is serious.

OFF TO THE DOOR - It opens again, but this time Jessica comes in. She looks at Wyatt.

JESSICA

Hey, Love.

Wyatt looks at Jessica who smiles at him.

WYATT

Jess, what are you doing here?

Jessica closes the door behind her and walks towards Wyatt and throws the bag on a chair.

JESSICA

Can’t a lovely wife visit her husband at his job place?

She kisses him passionately as he kisses her back.

JESSICA (CONT'D)

Besides, I’m in my fertile period, remember?

Jessica keeps kissing him passionately as she takes off his jacket and leans him against the desk.

JESSICA (CONT'D)

We need to do it now.

She keeps kissing him passionately, but suddenly Wyatt seems off. Jessica notices. She looks seriously at him.

JESSICA (CONT'D)

Wyatt? What’s going on?

Wyatt looks at her.

WYATT

I’m sorry, Jess. My mind is not here right now.

JESSICA

Well, let me take your head here right now.

Jessica starts unbuttoning his shirt, but Wyatt stops her. Jessica makes an annoyed expression.

JESSICA (CONT'D)

What’s wrong, Wyatt?

WYATT

Prue is missing.

Jessica is serious.

JESSICA

You are seriously rejecting me because of Prue? We are trying to have a baby, remember?

WYATT

I do remember, Jess.

Wyatt stands and starts buttoning up his shirt. He walks past her.

WYATT (CONT'D)

But she is my cousin.

JESSICA

She doesn’t like me, Wyatt. Never did. She wasn’t even present at our wedding, remember?

WYATT

Well, we weren’t present in hers either. But still, she’s family.

Jessica gets upset.

JESSICA

She is a pain in the ass if you ask me and is always trying to call for attention. She believes she’s better than anyone else and she even isn’t thankful for what you did for her when she wanted to buy P3.

Wyatt looks at her seriously.

WYATT

I know all that, Jess.

JESSICA

Then, why do you worry about her?

WYATT

Because she’s my blood. No matter what we feel for each other.

Wyatt takes his hands towards his hips.

WYATT (CONT'D)

Jess, I wasn’t in the mood and I won’t be in the mood that soon.

JESSICA

You’re kidding me, right?

WYATT

No, I’m not kidding you, Jess, and I don’t want us to fight over Prue.

He approaches her and kisses her forehead.

WYATT (CONT'D)

I have a lot to do, Jess.

Jessica grimaces.

JESSICA

You better try to get on the mood, Wyatt, because I want to have a child soon.

Jessica takes her purse quickly and walks out of the office as Wyatt feels annoyed. Jessica slams the door on her way out. Wyatt takes a deep breath.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Prue is flipping through the Book of Shadows as Jo stares at her seriously.

JO

(worried)

She saw nothing. It means that I don’t come to exist.

Prue seems surprised as she turns page after page. Jo notices it.

JO (CONT'D)

Have you found anything?

Prue shakes her head while turning page after page.

PRUE

There’re demons here I never saw and some others are not even here and I remember quite well they were here.

JO

Someone must have altered reality and we weren’t affected because we were trying to time travel.

Prue stops flipping pages and looks at Jo.

PRUE

Who would have that kind of power?

JO

I don’t know, mum.

OFF TO THE ENTRANCE - Chris comes in and looks at Prue.

PRUE

(surprised)

Chris?

CHRIS

Do you care to explain to me what the hell is going on?

Both Prue and Chris stare at each other seriously.

CUT TO:

EXT. SAN FRANCISCO - GOLDEN GATE BRIDGE - DAY

VIEW at the bridge.

CUT TO:

INT. MAGIC SCHOOL - MAIN HALL - DAY

Charlotte is there carrying a baby in her arms.

ON BABY ANDREW - He seems asleep.

OFF TO - Tamora ORBS in bringing Melinda.

They look at Charlotte.

TAMORA

I had to tell her.

CHARLOTTE

That’s okay. We just can let our mothers and fathers know what’s going on. I know mum and she’ll go crazy if she knows Prue is missing.

MELINDA

Do you need help with Andrew?

Charlotte nods yes.

CHARLOTTE

Please. I don’t know why Nate left him to me. I’m terrible with babies.

Melinda smiles as she walks towards Charlotte and takes the baby in her arms.

TAMORA

Sebastian and I are postponing the engagement party.

CHARLOTTE

Well, it was supposed to be held at P3 and now that its owner has gone missing ---

MELINDA

Who was this woman that was with her?

Charlotte nods.

CHARLOTTE

I don’t know, but I was just on the phone with Nate and he thinks that it might be a demon.

TAMORA

How does he know? Nate is non-magical. Besides, it’s Prue. Why would she hang out with a demon?

MELINDA

Because it’s Prue exactly.

Tamora shoots Melinda a look.

CHARLOTTE

You were mean now, Mel.

MELINDA

Sorry, guys, but is Prue. She’s always in the middle of a demon fight. She doesn’t know how to live without it.

Charlotte and Tamora look at each other.

TAMORA

(to Charlotte)

She’s right.

CHARLOTTE

Still, she’s my sister.

OFF TO ALEX - He ORBS in bringing Michaela.

ALEX

Hey, guys!

Alex glances at them. The girls look at him and Michaela.

ALEX (CONT'D)

This is Michaela.

He glances at her and then at his cousins.

ALEX (CONT'D)

A Firestarter.

MELINDA

A what?

Melinda and Michaela look at each other for moments.

MELINDA (CONT'D)

Firestarters are very rare.

ALEX

I know. But she’s shown her powers to me.

CHARLOTTE

So?

ALEX

She’s a little confused and needs our help.

CHARLOTTE

We have another problem between hands, Alex.

ALEX

What’s going on?

TAMORA

Prue.

ALEX

A demon?

TAMORA

We don’t know. But I think your friend can wait.

CHARLOTTE

The class was also dismissed, Alex. You don’t need to worry about it.

Alex glances at Michaela.

ALEX

Still, I think we should help her.

(to Charlotte)

Do you think Aunt Paige and Uncle Leo would mind if she stays here? She has nowhere to go.

Charlotte nods yes.

CHARLOTTE

Of course. Find her a room. We’ll deal with it later.

Alex nods, then turns to Michaela who keeps staring at Melinda.

ALEX

Come.

Michaela looks at Alex and nods. Both Alex and Michaela leave the room as Melinda watches them leave.

MELINDA

I don’t know, but that girl ---

Charlotte and Tamora look at her.

MELINDA (CONT'D)

--- It gave me ---

Melinda cuts herself off. Then she shakes her head.

MELINDA (CONT'D)

Forget it.

She looks at her cousins.

MELINDA (CONT'D)

We should focus on finding Prue.

They all nod.

ON MELINDA - She is serious.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Prue and Chris are in front of each other staring seriously at each other. Jo is away from them starting at them.

CHRIS

So, can you explain what’s going on? Nate is very worried about you.

PRUE

Nate?

CHRIS

Your husband, remember?

Prue nods.

PRUE

Of course.

Prue lowers her gaze.

CHRIS

What’s going on, Prue?

Chris glances at Jo and then at Prue.

CHRIS (CONT'D)

Who’s she?

Prue looks at Chris.

PRUE

This is all a mess, Chris.

Chris understands nothing.

PRUE (CONT'D)

This is not my life. This is my house. The condo ---

Prue swallows. Some tears threaten to come out, but she holds them inside.

PRUE (CONT'D)

--- That was supposed to be your home and Bianca’s.

CHRIS

Who the hell is Bianca?

Jo makes a desperate expression.

PRUE

Your wife.

CHRIS

Prue, my wife’s name is Ella. Your friend, remember?

PRUE

I remember Ella, but I don’t remember her as your wife. She had a crush on you, but the two of you never ---

CHRIS

(cuts her off)

Prue, stop it. You are not making any sense.

PRUE

(holds Chris’ hands)

You need to believe me.

(swallows)

This reality is wrong.

Prue takes a deep breath.

PRUE (CONT'D)

I am married, but not to Nate.

CHRIS

To whom then?

Prue glances at Jo then, she glances back at Chris.

PRUE

To Wyatt.

Chris smiles sarcastically. Then, he gets serious as he sees that she truly believes that.

CHRIS

What?

Prue nods.

PRUE

We are Twice Blessed. Our lives have met each other for over a thousand years. Even longer than that. We are destined for each other.

CHRIS

Prue, you and Wyatt never got along, much less, get married. He is married to Jessica. His girlfriend from College.

PRUE

Wyatt and I never got along?

CHRIS

You two fought all the time. And things got worse when you found out he helped you buying P3 without you knowing.

Prue looks seriously at Chris. A tear comes down her face.

PRUE

But I forgave him.

Chris shakes his head.

CHRIS

You never did. Besides, the two of you are cousins.

PRUE

And the whole family was okay with it.

CHRIS

The thing is that our family never was okay with it because it never happened.

PRUE

(mad; let’s go of Chris’ hands)

You’re wrong, Chris.

Prue starts getting desperate.

PRUE (CONT'D)

We married in 2032.

CHRIS

No, Prue. In 2032 you married Nate.

Prue shakes his head.

PRUE

(out loud)

NO!

She used VOICE MANIPULATION.

PRUE (CONT'D)

(mad)

Wyatt and I are destined to be together. We are true love. We’ve faced everything and we ended up beating it all.

Chris shoots Prue a weird look. Jo approaches them.

JO

Prue ---

PRUE

Don’t!

Prue turns around and tries to calm down. Then she turns to Chris.

PRUE (CONT'D)

We defeated Leah, the Shadow Witches’ plan, Gadreel, and the Red Witch together.

CHRIS

I don’t know what you are talking about, Prue. Who are them?

Prue stares at Chris seriously.

PRUE

You must be kidding me. Leah?

Chris shakes his head as if the name didn’t ring a bell.

PRUE (CONT'D)

We used the Power of Nine to vanquish her.

CHRIS

The Power of Nine?

Chris acts as if that’s the first time he hears that term.

CHRIS (CONT'D)

Prue, the Power of Nine was a spell we created when kids. Nothing else.

JO

Wait, what? That’s the main power of the Destined Ones.

CHRIS

Who?

Prue and Jo exchange glances.

JO

Are you telling us that the Power of Nine was never activated?

Chris shakes his head. Jo and Prue look at each other worried. Then Prue turns to Chris.

PRUE

The Power of Three?

Chris shakes his head again.

CHRIS

Mum and the Aunts haven’t used it in a while.

PRUE

I don’t mean our mothers, Chris. I mean Mel, Tam and I.

(pauses)

We are the New Charmed Ones.

CHRIS

Sorry, Prue, but you’re wrong.

SOUND - Doorbell ringing.

Prue and Jo stare seriously at Chris.

CUT TO:

INT. HALLIWELL MANOR - ENTRANCE / STAIRCASE - DAY

Ella approaches the front door and opens it.

There is Nate. He looks seriously at Ella.

NATE

Where’s she?

ELLA

Upstairs. But things are not okay, Nate. I heard Prue speaking out loud. I couldn’t understand, but I think it’s serious.

NATE

I need to see my wife.

Ella nods.

ELLA

Come.

Nate closes the door behind him and follows Ella upstairs.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

ON PRUE’S FACE - She is astonished.

Chris and Jo are still there.

PRUE

I can’t believe this is happening.

Jo approaches Prue and tries to calm her down.

JO

Mum, please.

CHRIS

(surprised)

Mum?

Jo looks at Chris.

JO

Look, this reality is not right. We don’t know how, but this is all wrong.

CHRIS

You called her mum.

JO

(mad)

Because she’s my mother. I came from the future to stop the Red Witch and we did. I almost died to save your future.

Prue turns to them.

PRUE

Someone altered reality, Chris. You must believe me.

Chris looks seriously at Prue who can hold her tears much longer.

PRUE (CONT'D)

I need my husband back and my daughter.

Prue puts her hands over her stomach.

PRUE (CONT'D)

I’m expecting twin girls and not boys. I am a Charmed One and Destined One. Wyatt and I are Twice Blessed.

CHRIS

That last part is true, Prue, but that power was never activated.

Chris tries to approach Prue who steps back.

CHRIS (CONT'D)

Look, it must be your current state that has gotten your nerves altered. Besides, maybe ---

Chris shoots Jo a look and then looks back at Prue.

CHRIS (CONT'D)

--- This girl, may have told you lies.

JO

I didn’t.

PRUE

I’m not crazy, Chris.

OFF TO THE ENTRANCE - Ella comes in followed by Nate.

NATE

Prue?

Prue looks at Nate and then looks back at Chris.

PRUE

I thought you would believe me, but I guess I’ve lost my time.

And just like that, Prue BEAMS out.

NATE

Prue!

They all exchange glances.

CUT TO:

EXT. SAN FRANCISCO - DAY TO NIGHT

FOOTAGE all over the town as the moon covers the sky.

CUT TO:

INT. HALLIWELL MANOR - LIVING ROOM - NIGHT

There are Chris, Ella, Wyatt, Melinda, Charlotte, Pandora, Tamora, and Junior. Chris has told him part of what Prue told him.

CHRIS

She said a lot of things that didn’t make any sense.

ELLA

And that woman who was with her?

MELINDA

Is she truly a demon?

CHRIS

I don’t know. When we tried to go after Prue and didn’t find her, we went back here and she was gone.

MELINDA

(thoughtful)

Charmed Ones? We?

Melinda and Tamora exchange glances.

CHRIS

That’s what she said.

PANDORA

Let’s not forget about the Power of Nine. Destined Ones.

WYATT

Yeah, that was a spell we created when kids. But how can she remember that? It’s been years.

CHRIS

Don’t know.

ELLA

Well, I gave my opinion. I think that a demon is messing with Prue’s head.

(to Chris)

That’s all she said, honey?

Chris looks at Ella and Wyatt. He is hiding some information.

CHRIS

(lying)

Yeah, basically. And well, she also said that she has daughters.

CHARLOTTE

Well, we don’t know what’s the gender of the baby she’s waiting for.

CHRIS

Well, she was pretty sure that it was babies.

TAMORA

And where’s Nate?

CHRIS

He has taken baby Andrew home. He thinks that she might go there once she calms down.

WYATT

Well, we can’t count on that. 

They look at Wyatt.

WYATT (CONT'D)

We must find her.

CHRIS

Words from the eldest of the Destined Ones.

They all look at Chris.

CHRIS (CONT'D)

Sorry, but I kinda like the name.

SOUND - Front door opening.

Soon, Jessica comes into the room holding a lot of bags. She’s been shopping.

ELLA

Hey, Jess.

JESSICA

What’s going on? Why is everybody here?

JUNIOR

We are worried about Prue.

Jessica looks at Wyatt.

JESSICA

(looking at Wyatt)

All of you?

Wyatt lowers his gaze. Then Jessica looks around.

JESSICA (CONT'D)

You are probably losing your time. Prue is always trying to call for attention. That’s who she is.

CHARLOTTE

I appreciate it if you keep that opinion of yours to yourself, Jess.

JESSICA

Sure. But if I were you, I wouldn’t worry that much.

They all exchange glances.

JESSICA (CONT'D)

Well, now if you’d excuse me, I’m gonna be in my bedroom.

She shows them all the bags she’s got.

JESSICA (CONT'D)

I did a lot of shopping today since my husband didn’t entertain me.

Wyatt and Jessica stare at each other for a few moments. Then Jessica turns around and leaves.

WYATT

I must talk to her.

(looks at the others)

Try to find Prue.

The others nod. Wyatt leaves the room.

CUT TO:

INT. HALLIWELL MANOR - WYATT’S BEDROOM - NIGHT

Jessica comes in and turns on the light and slamming the door behind her. She throws the shopping bags on the bed. She is mad.

JESSICA

Prue! Always Prue!

Wyatt comes in and closes the door behind him. He looks at Jessica seriously.

WYATT

Would you mind to stop that attitude?

Jessica turns to Wyatt.

JESSICA

I’m just being honest, Wyatt. She never liked me so, why should I care about what happens to her?

WYATT

Because she’s my cousin.

Jessica smiles sarcastically.

WYATT (CONT'D)

No matter what happened between us, this is something that binds us.

Jessica stares at Wyatt seriously.

WYATT (CONT'D)

You should care about her too. You are my wife, dammit!

Both stare at each other for seconds. Jessica takes a deep breath.

JESSICA

I’m sorry, Love. You are right.

Jessica approaches him and hugs him.

JESSICA (CONT'D)

I think I was just jealous.

Wyatt pushes her back.

WYATT

Jealous of Prue?!

Wyatt says it as if it was nonsense. Jessica tries to mend what she said.

JESSICA

Of the attention she’s receiving, I mean.

Both stare at each other.

JESSICA (CONT'D)

Can we make up now?

Wyatt shakes his head.

WYATT

Sorry, Jess, but I need to find my cousin.

Jessica grimaces as Wyatt turns around and walks out of the bedroom. Then, Jessica gets serious.

JESSICA

You are mine, Wyatt. Prue should better get used to her whole new World because this time, she won’t win.

ON JESSICA - She is serious.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

EXT. PRESCOTT GROUP - NIGHT

STOCK.

CUT TO:

INT. CASSANDRA’S OFFICE - NIGHT

She is working on her computer. Now and then she glances at the phone.

CASSANDRA

I wish I could be out there searching for my sister, but because of my new boss I can’t because I need those reports for yesterday!

Cassandra seems mad.

SOUND - A knock on the door.

Cassandra doesn’t take her eyes from the computer.

CASSANDRA (CONT'D)

I don’t care how crazy this company is making you, but this shrink needs to finish this. Come back tomorrow.

OFF TO THE DOOR - It opens. Johnathan comes in.

CASSANDRA (CONT'D)

I said ---

Cassandra takes her eyes from the computer and looks at the man in front of her. She frowns and stands.

CASSANDRA (CONT'D)

Who the hell are you and what are you doing here?

(pauses)

Wait!

She remembers where she saw him.

CASSANDRA (CONT'D)

You are the crazy man who almost ran his car on me this morning.

Johnathan smirks.

JOHNATHAN

I’m also the one who asked those reports from you.

Cassandra seems surprised.

CASSANDRA

You are Johnathan Hale?

Johnathan nods yes.

CASSANDRA (CONT'D)

(ashamed)

I’m sorry, Mr. Hale, I didn’t mean to ---

Johnathan raises his hand and motions her to stop.

JOHNATHAN

I was told that you were working like crazy on those reports all day.

(pauses)

What I couldn’t imagine is that you were the woman who screamed at me this morning.

CASSANDRA

I didn’t scream at you.

JOHNATHAN

You were rude.

CASSANDRA

I got almost hit but your car.

JOHNATHAN

And I’m sorry about that.

They stare at each other.

JOHNATHAN (CONT'D)

Go home, Mrs. Halliwell.

(thoughtful)

By the way, do you have something to do with Phoebe Halliwell?

CASSANDRA

She’s my mother.

JOHNATHAN

Right.

(smiles sarcastically)

Suddenly, there seems like there’s a lot of Halliwells in this town.

CASSANDRA

Anything against that?

Johnathan shakes his head.

JOHNATHAN

Go home.

(pauses)

I want to speak to you first thing in the morning.

Then, just as fast as he came in, Johnathan turns around and leaves the office as an incredulous Cassandra watches him.

CASSANDRA

It’s my end in this company.

Cassandra takes a deep breath and sits back on her chair.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

AERIAL FOOTAGE all over the town.

CUT TO:

EXT. SAN FRANCISCO - TOP OF THE GOLDEN GATE BRIDGE - NIGHT

Prue is sitting on the edge of the top of the bridge. Her eyes are red and tears come from them. Her hands are embracing her legs. She cries desperately.

OFF TO JO - She ORBS in behind her surrounded in PURPLE ORBS.

Jo sees Prue and approaches her from behinds. She lowers down.

JO

Mum ---

PRUE

No!

Prue doesn’t look at Jo.

PRUE (CONT'D)

How can this be happening to us?! Now that things were going to get well.

Tears come from Prue’s eyes nonstop.

PRUE (CONT'D)

The three of us were together.

(swallows)

Your sisters were coming. And now ---

Jo puts her hand on Prue’s left shoulder. Prue pushes her shoulder back.

JO

Are you rejecting me now?

Prue looks at Jo.

PRUE

What if I cannot fix this? What if I lose my family?

JO

You will never lose me, mum. I promise you that.

Jo takes Prue’s left hand between hers.

JO (CONT'D)

We are on this together for a reason.

PRUE

How are we going to fix it?

JO

I have no idea. They think that I’m a demon.

PRUE

You are my daughter.

JO

They don’t know that. And we must be careful. First, we need to find out what was the event that altered the whole thing. Then we go from there.

PRUE

And about your father?

JO

I came back from the future to get my family back.

A tear runs down Jo’s face.

JO (CONT'D)

I won’t stop until I do. That’s why I’m still here.

Prue smiles at Jo.

PRUE

I’m glad you are here.

Jo smiles.

OFF TO WYATT - He ORBS in behind them.

Jo looks up at Wyatt and stands.

JO

Wyatt!

Wyatt looks at her seriously. Prue looks up at Wyatt, who stands behind her. Prue and Jo stand and look at Wyatt. Wyatt looks at Prue.

JO (CONT'D)

I should leave the two of you alone.

Prue looks at Jo.

PRUE

But ---

JO

We’ll talk later, Prue.

Prue nods. Jo ORBS out surrounded by PURPLE orbs. Wyatt looks seriously at it.

WYATT

She orbed out surrounded by purple orbs.

PRUE

Yes, she did.

WYATT

She isn’t a demon.

PRUE

Never was.

They stare at each other for seconds.

PRUE (CONT'D)

Why are you here, Wyatt?

WYATT

Everybody is crazy looking for you.

PRUE

But you were the one who found me.

Wyatt nods.

WYATT

I had a feeling you would be here.

PRUE

Why? How?

WYATT

You are my cousin, Prue.

PRUE

(wipes out her tears)

It doesn’t explain that feeling of yours.

Prue walks towards him. Both stand still looking deeply into each other’s eyes.

PRUE (CONT'D)

How did you find me here?

WYATT

Because I know you more than anyone else.

Wyatt lowers his gaze.

WYATT (CONT'D)

And this is our spot, remember?

Wyatt looks straight to her and Prue somehow is surprised.

PRUE

What?

WYATT

We agreed in never speaking about it again, but I know that as well as I do, you know this is our spot.

PRUE

The kiss.

Wyatt nods.

PRUE (CONT'D)

Our first kiss.

WYATT

It doesn’t matter what paths our lives took, Prue. But you are important to me.

PRUE

You are important to me too, Love.

Wyatt is open-eyed as he hears that. Prue realizes what she just said.

PRUE (CONT'D)

I mean, Wyatt.

Both stare at each other for seconds.

WYATT

Nate is really worried about you.

PRUE

Nate.

(takes a deep breath)

My husband.

Wyatt nods.

WYATT

I won’t lie to you, Prue. I never agreed with your relationship with him. I still think you deserve better, but he is your husband and the father to your children.

PRUE

Yeah. And that woman is your wife.

WYATT

Jessica.

PRUE

Jessica.

(pauses)

Your girlfriend from college.

WYATT

My girlfriend from college.

PRUE

I think I don’t remember knowing her back then.

WYATT

You never gave her a chance. Jessica always tried to be your friend, but you always pushed her away.

PRUE

(sarcastic)

I wonder why!

Prue walks towards Wyatt and both stand pretty close to each other.

PRUE (CONT'D)

I know this is not how things are supposed to be, Wy. But I’ll fix it.

WYATT

You are talking about the Destined One's thing and Charmed Ones and ---

PRUE

The Twice Blessed Witches?

Wyatt nods.

PRUE (CONT'D)

That’s just the beginning. There’s a lot more than that.

They stare seriously at each other as the wind touches their faces.

WYATT

It’s getting cold, Prue. Let me take you home.

PRUE

No.

(smiles)

I’ll get back to Nate, but I won’t let you to hand my life to him.

WYATT

Prue ---

PRUE

Believe me, Wyatt. I’ll fix this.

(swallows)

I am Prue Halliwell.

Prue approaches him and kisses his face softly. Then she looks him in the eyes as he looks her back.

PRUE (CONT'D)

Not everything is lost.

Prue steps back and BEAMS out. Wyatt is serious. He takes a deep breath.

CUT TO:

EXT. SAN FRANCISCO - NIGHT

AERIAL FOOTAGE all over the town at the sound of ‘Promises’ by Wiz Khalifa.

Some landmarks are been shown.

CUT TO:

INT. WHITMORE MANOR - MAIN BEDROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Sebastian comes in as Tamora ORBS in. They look at each other.

SEBASTIAN

Prue?

Tamora nods.

TAMORA

Wyatt found her.

Sebastian nods.

SEBASTIAN

Is everything okay?

TAMORA

It will be as soon as we discover what the hell is going on with Prue.

They look at each other and smile.

CUT TO:

INT. MELISSA’S APARTMENT - LIVING ROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

OFF TO MELISSA - She comes into the room and stops as she sees a man standing there.

MELISSA

What are you doing here?

BEAT. The man is no other than Junior. He looks at her. He is serious.

JUNIOR

I need you.

Melissa smiles.

MELISSA

Friends with benefits?

JUNIOR

Always.

Melissa runs into Junior’s arms and both of them kiss passionately as they start taking her clothes off.

CUT TO:

INT. HALLIWELL / COOP MANOR - KITCHEN - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Charlotte is having some coffee on the island. She seems thoughtful.

OFF TO CASSANDRA - She comes in and seems tired.

Charlotte looks at her.

CHARLOTTE

Hey, sis!

CASSANDRA

Prue?

CHARLOTTE

Wyatt found her.

CASSANDRA

(surprised)

Wyatt?

Charlotte nods.

CHARLOTTE

Take a cup of coffee, sis. There’re some things I must tell you.

OFF TO ERIC - He comes in.

ERIC

Care if I join the two of you?

CHARLOTTE

You are more than welcome, honey.

Both Cassandra and Eric head to the coffee machine.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - LIVING ROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

The lights are off, but the TV is on. Pandora and Ethan are sitting on the couch watching TV. Ethan has his arm over Pandora’s shoulder.

ETHAN

What about the family thing you had?

Pandora looks at Ethan.

PANDORA

Everything is okay, honey. Prue’s hormones are just messing with her.

ETHAN

She missed her appointment this morning.

PANDORA

I’m sure she’ll attend next time.

Ethan smiles at her and kisses her. Pandora corresponds. Then they both turn to the TV.

CUT TO:

EXT. PRUE’S CONDO - STREET - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Outside the condo, a woman stands staring at the floor where Prue's condo is. Slowly the camera shows her face. BEAT. The woman is no other than Bianca.

She stares seriously at the Condo.

BIANCA

(to herself)

Why do I feel so attracted to this place?!

JO (O.S.)

I believe I can answer that question.

Bianca turns around and sees Jo standing behind her. Jo smiles.

JO (CONT'D)

I know you are a Phoenix Witch, but believe me, you are good, Bianca.

Bianca stares seriously at her.

CUT TO:

INT. PRESCOTT GROUP - CEO’S OFFICE - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

ON JOHNATHAN - He stares throw the window at the town outside. He seems thoughtful.
Johnathan takes a deep breath.

CUT TO:

INT. HALLIWELL MANOR - WYATT’S BEDROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

The lights are off.

OFF TO THE DOOR - It opens and Wyatt comes in. Then, he closes the door behind him and stares at the bed.

Jessica is lying asleep on the bed. Wyatt takes a deep breath and then heads into the bathroom.

ON JESSICA’S FACE - She opens her eyes. She is serious.

CUT TO:

INT. UNDERWORLD - JARED’S CAVE - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

He is staring at the images shown in his water pit. The image shows the face of her sister lying on her bed with her eyes opened.

ON JARED - He is serious.

CUT TO:

INT. HALLIWELL MANOR - CHRIS’S BEDROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

The lights are off. Chris and Ella are lying on the bed. Chris has his arms over Ella’s body, but while she is asleep, his eyes are wide open. He is thoughtful.

CUT TO:

INT. PRUE’S CONDO - MAIN BEDROOM - NIGHT

MUSIC KEEPS PLAYING IN THE BACKGROUND.

Nate is looking at baby Andrew in the crib. He smiles as he watches his son sleeping.

OFF TO PRUE - She BEAMS in.

Nate turns around and looks at her.

NATE

Honey!

PRUE

I’m sorry. I’m a little confused.

Nate rushes towards her and hugs her. Prue closes her eyes and at first, doesn’t correspond to the hug, but then she hugs him back.

NATE

It’s okay.

PRUE

I need some sleep, Nate.

NATE

We both do, honey. We both do.

They remain hugging each other.

CUT TO:

INT. AVATAR’S PLANE - BLACK AND WHITE ROOM - NIGHT

ON SIGMA - She is serious as she is standing before a circular table with holographic images in the center of it.

SIGMA

We did something wrong offering him a place among us.

Sigma turns around.

ON A MAN - His name is OMEGA. He is serious.

OMEGA

He was powerful and cleaver. We thought we were doing it for our best.

SIGMA

But we didn’t.

OMEGA

I agree with you. But he is too powerful now.

SIGMA

And one of us as well.

OMEGA

But his plan has a fail he wasn’t counting on.

SIGMA

That’s what I think.

OMEGA

Then, leave it to take its way.

SIGMA

Without interfering? That way Utopia will be even more far away.

OMEGA

We’ve waited longer, Sigma. It wasn’t supposed for us to do it just now.

SIGMA

But Jared’s powers would make us stronger.

OMEGA

And he is still one of us. We’ll see and wait how all this history ends.

Sigma nods and both of them look at each other.

The camera moves away from them and soon it ---

CUT TO BLACK.

END OF THE EPISODE